our story, through Bada Jean’s lens

about the artwork


This artwork is an Indigenous interpretation of the original Canadian Sport Institute Alberta logo. At the centre, you see the circle with three lines extending outward—key visual elements carried over from the original logo. Instead of the cut-out maple leaf, I chose a feather, a sacred symbol shared across many Indigenous cultures.

Inside the circle is the Three Sisters mountain range in Alberta’s Rocky Mountains. Moving outward, the imagery shifts through the alpine forests, grasslands, and into the prairies—each representing the diverse and unique landscapes that make Alberta special. In the foreground, you see strawberries, or “heart berries.” In our culture, strawberries are sacred, symbolizing women and the heart’s strength.

These elements ground the design in Alberta, honouring both place and culture. My choice to create this artwork for the Canadian Sport Institute of Alberta is close to my heart as I spent much of my childhood growing up there, with my maternal side from Tsuu’tina Nation in Calgary.

The original text on the logo reads: “Canadian Sport Institute – Alberta.” I replaced this with words in Nehiyawewin (Cree):

Miskinahko – Ministik: Turtle Island. Before colonial borders, many Indigenous Nations called “North America” Turtle Island. Our story tells of the muskrat who dove to the bottom of the ocean, bringing up earth and placing it on the turtle’s back to create the land. Even today, the shape of North America resembles a turtle.

Mêtawêwin: Sport. Our language has no word for “Institute,” but we do have a word for sport, a practice rooted in community and well-being.

Maskotêw – Askiy: The plains or prairies. There is no direct translation for “Alberta.” Borders are recent, colonial creations. By using this phrase, I honour the open prairie lands that define this region and connect to my Nehiyaw (Cree) identity.

This logo becomes more than a symbol – it carries the stories of our people forward while celebrating our land, culture, and language. It also serves as a reminder to encourage language and cultural revitalization for our future generations.

about the artist

Bada Jean is a Nêhiyaw (Cree), Dene and Welsh visual artist from Treaty 6 and 7 territory. Her roots come from Ahtahkakoop Cree Nation and Tsuut’ina Nation. She grew up in Alberta and Saskatchewan, and now lives and works in her home territory, of Moh-kíns-tsis (Calgary) and Red Deer, located on the traditional territory of the Siksikaitsitapi (Blackfoot Confederacy), Tsuu’tina, Stoney Nakoda, Nêhiyaw, Sauleaux and Métis people. Bada Jean is a painter working with acrylic, spray paint and traditional materials, as well as a digital illustrator. She hopes to share her culture with art, by using traditional imagery and language within her works in her own style. She uses her art as documentation of lived experiences, as she comes back to her culture. As she learns her language, she uses Cree syllabics and language within her work as an act of reconcillation. Through her practice, she hopes to inspire others to return to their cultures, reminding Indigenous people everywhere that our traditions and languages are not lost—they have always been with us, waiting to be carried forward.

 

Website:
www.badajean.com

Instagram:
@bada_jean

Facebook:
Bada Jean – Visual Artist

Email: bada385@hotmail.com